In the music video for “Ram Pam Pam,” Venezuelan artist Micro TDH put older women smoking weed front and center. Asked about it, he doesn’t push a position. He describes one: “It’s part of my day-to-day. I’m just reflecting my lifestyle.”
Fernando Daniel Morillo Rivas, known as Micro TDH, is one of the more interesting artists to come out of Venezuela’s urban scene in the last decade. He’s from Mérida. He started doing freestyle in the street with no label, no investors and no plan beyond the next bar. He’s now collaborated with Yandel, Pablo Alborán, Piso 21, Lenny Tavárez, Myke Towers and Rels B. His 2020 single “Cafuné” passed a million streams without a real industry push behind it.
In October 2025 he dropped Segundo Acto, an album with eight interconnected music videos that play as a single story. He’s now touring it across Latin America, the U.S. and Spain.
And weed is part of the picture. Not as a brand. Not as a stunt. Just as it is.
‘Ram Pam Pam’ and what older women smoking means
The image is unusual for the genre. Cannabis in urban music videos usually skews young and party-coded. Here, the women smoking are older. They’re at home. The visual is calm.
Asked about that visual choice, Micro TDH doesn’t push a position. He describes one.
“I don’t want to push cannabis use on anyone. But it’s part of my day-to-day. So what I’m doing is reflecting my own lifestyle.”
Micro TDH
He has thoughts about the plant, he says. Some positive. Some negative. He’s not declaring it a virtue and he’s not condemning it. He’s showing it the way it shows up in his own life.
A second act, and the rules he learned without a label
The album is called Segundo Acto. Second Act. And he means it literally, in the screenwriting sense.
“The second act is where the hero has to remember who he is, reformulate his identity and let go of false beliefs to keep going.”
Micro TDH
That’s not the kind of answer most artists give when asked about a tour. He’s framing his life as a story he’s still inside. The conversation around the record is about identity, not the merch table.
The route here was unusual. “Cafuné” broke without a major behind it. The lesson he took from that is the same one he repeats now, years later.
“What connects with people the most is what’s real. The genuine. What comes from the heart. You can feel it when something is authentic.”
Micro TDH
He won’t put it in marketing terms. He puts it in craft terms: whatever you make, the substance of it has to be honest. Otherwise it doesn’t travel.
Rap, then everything else
Micro TDH’s catalog is hard to categorize. Rap. Trap. R&B. Reggae. Dembow. Ballads. Segundo Acto adds a first hardcore rock track, “Mi Primer Rock.” It also has the R&B introspection of “Ángeles,” the lightness of “Wendi” and “Duraznos,” and the deeper introspection of “Tu Reflexo.”
Asked where he feels most himself, he doesn’t dodge. “Probably rap. Because that’s where everything started.” But he likes being challenged. He likes leaving the comfort zone. And he leaves the door open: at some point, he says, he’d like to marry one musical line again.
Lost Soulz: the acting detour that wasn’t a detour
Micro TDH acted in Lost Soulz, an American independent film. He treats the experience as connected to the music, not separate from it.
“Music is one art. Acting is another. And acting is like music’s older brother.”
Micro TDH
He says acting forced him to embody a character, to feel what that character feels. It also taught him respect for performing arts in general. Which fits, given that he talks about his life like a screenwriter.
The cats
In the video for “Quizás” there’s a cat. Not random. He’s had cats his whole life.
“Pets aren’t just pets. They’re family. I think anyone with a pet at home has a happier and calmer heart.”
Micro TDH
Honest about the music, honest about the plant
The throughline in the interview isn’t cannabis. It’s honesty. “Cafuné” worked because the feeling was real. Segundo Acto works because the identity questions are real. The acting in Lost Soulz connects because it asked him to inhabit someone, not perform.
Cannabis fits the same pattern. He didn’t make it the campaign. He didn’t make it the controversy. He put it in the frame because it’s there, and he answered the question the same way: not selling, not condemning, describing.
Micro TDH is at the start of his second act. He’s choosing what to show. He’s choosing what to keep.
